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Another principle construction, this time of the post-sex scene, which concludes the episode.

As before, this is a collection of base poses, core camera angles, and essential animations (such as the Shadowbroker spinning his chair around to use the monitors and get the information Liara is after).

Next up is designing the second act of the sex scene. Hopefully I'll have something to show for it by next Wednesday.

By the way, for those who may not have recognized it consciously, these episodes actually have a consistent structure to them:

- The pre-sex scene, which sets up the characters, setting, and rationale for sex. (Episode 1 - Liara & Jack, bar, and hiring for finding Shepard; Episode 2 - Jack & Kavil, dive, and getting a ship to do job; Episode 3 - Liara & Shadowbroker, space station, and getting information on Shepard)

- The sex scene, which is... well... the porn part of this porn series.

- The post-sex scene, which concludes the rationale for sex and furthers the narrative from the protagonists' perspective. (Episode 1 - Jack accepts job, Liara leaves to talk to information broker, Jack leaves to get a ship; Episode 2 - Jack gets her ship, goes off on tangent to hunt down Batarian abusers; Episode 3 - Liara gets her information, leaves for the Blue Star organization's base)

- The after-credits scene, which furthers the narrative from the antagonists' perspective and sets up that character's following episode (Episode 1 - Director and Shadowbroker discuss Liara's potential as a Diplomat, Liara is to meet with a broker, Jack is to get a ship; Episode 2 - It is revealed that Jack was captured and abused while Kavil worked for the Director, the Director has something planned for Jack; Episode 3 - Shadowbroker confirms Liara's potential as a Diplomat & Director reveals Femshep's relationship to the Blue Star organization, Director has something planned for Liara)

Files

Comments

Supreme Overlord Llama

Even though the episode is not done yet, I am really liking the lighting for this episode from the bits and piece you have shared. Keep up the good work.

lordaardvarksfm

Thanks! Among my cabal of friends whom I share regular WIPs with, I refer to Episode 3 as "the dark episode", because of its (intended) stylistic departure from the previous two episodes. The Shadowbroker's room, where the bulk of the episode takes place, has dark, dramatic lighting - in equal parts to fit the narrative and pairing, but also to demonstrate how dreary, oppressive lighting can be done while still being able to actually see things. Nothing annoys me more than directors confusing "low lighting" with "no lighting."