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I had a few minutes of downtime today, and I began thinking about [W/O]s. Now, this refers to a "walkout," a film that I watched at least a third of, but stopped (or if I'm in the theater, physically walked out of). As you might expect, the more films I see in a year, the more [W/O]s I have, although one year, 2007, I had only one [W/O] despite seeing as many films that year as usual.

I crunched some numbers. Since 2001, when I began keeping screening logs, I have walked out of (or turned off) 210 feature films. Of those 210, I eventually went back and finished 15 of them. That's right around 7%. In most cases, I went back to finish films that received some kind of acclaim, films such as The Assistant, Emily the Criminal, or I Killed My Mother. Once or twice, I've had to leave a festival screening due to an emergency or an ill-timed appointment, so I finished those. They include Tsai's I Don't Want to Sleep Alone and Varda's Cinevardaphoto.

I had thought that I returned to a lot more [W/O]s. But in fact, my judgment mostly seems to be final. And so, as an experiment, I wanted to open the floor to discussion on whether any of these films demand a second look. (There is one that is a fairly obvious candidate.) Here is the list, in reverse chronological order. (Films I finished will have an asterisk.)

2023

Full River Red (Zhang Yimou, China) (0:42)

It Is In Us All (Antonia Campbell-Hughes, Ireland) (0:35)

2022

*Apollo 10 1/2: A Space Age Childhood (Richard Linklater, U.S. / Netherlands) (0:30)

Children of the Mist (Diem Ha Le, Vietnam) (0:27)

*Emily the Criminal (John Patton Ford, U.S.)  (0:56)

Happer's Comet (Tyler Taormina, U.S.) [m] (0:40)

Hot in Day, Cold at Night (Park Song-yeol, South Korea) (0:34)

The Innocents (Eskil Vogt, Norway / Denmark / Finland / Sweden) (0:30)

Once Upon a Time in Calcutta (Aditya Vikram Sengupta, India / France / Norway) (0:42)

Petrov's Flu (Kirill Serebrennikov, Russia / France / Germany / Switzerland) (0:34)

Pilgrims (Laurynas Bareiša, Lithuania) (0:41)

The Severing (Mark Pellington, U.S.) (0:30)

Watcher (Chloe Okuno, U.S. / U.A.E.) (0:34)

White Building (Kavich Neang, Cambodia / Qatar / China / France) (0:40)

2021

Aleph (Iva Radivojevic, U.S. / Croatia / Qatar) (0:40)

Bad Trip (Kitao Sakurai, U.S.) (0:31)

Belfast (Kenneth Branagh, U.K.) (0:40)

C'mon C'mon (Mike Mills, U.S.) (0:59)

DNA (Maïwenn, France) (0:34)

Drifting (Jun Li, Hong Kong) (0:34)

Forest: I See You Everywhere (Bence Fliegauf, Hungary) (0:40)

The Good Woman of Sichuan (Sabrina Zhao, Canada) (0:25)

The Green Knight (David Lowery, U.S.) (0:29)

I Want to Talk About Duras (Claire Simon, France)  (0:32)

Landscapes of Resistance (Marta Popivoda, Serbia / Germany / France) (0:45)

Luzzu (Alex Camilleri, Malta) (0:49)

Memory House (João Paolo Miranda Maria, Brazil / France) (0:32)

Never Gonna Snow Again (Małgorzata Szumowska and Michal Englert, Poland / Germany / Netherlands) (0:45)

*Suzanna Andler (Benoît Jacquot, France) (0:32)

We (Alice Diop, France) (0:35)

Yuni (Kamila Andini, Indonesia / Singapore / France / Australia) (0:35)

2020

Accidental Luxuriance of the Translucent Watery Rebus (Dalibor Barić, Croatia) (0:29)

The Annotated Field Guide of Ulysses S. Grant (Jim Finn) [m] (0:20)

*The Assistant (Kitty Green) (0:44)

The History of the Seattle Mariners (Jon Bois) (1:03)

Hopper/Welles (Orson Welles) (0:52)

The Lighthouse (Robert Eggers) (1:03)

The Midnight Sky (George Clooney) (1:02)

*Orphea (Alexander Kluge and Khavn, Germany / Philippines) (0:22)

Redoubt (Matthew Barney) (0:36)

Saturday Fiction (Lou Ye, China / France) (1:05)

The Viewing Booth (Ra'anan Alexandrowicz, Israel / U.S.) (0:37)

2019

Aquarela (Viktor Kossakovsky, U.K. / Germany / Denmark / U.S. / Greenland) (0:35)

Before You Know It (Hannah Pearl Utt) (0:28)

Clara's Ghost (Bridey Elliott) (0:38)

Jupiter's Moon (Kornél Mundruczó, Hungary / France / Germany) (1:04)

Never Look Away [Werk ohne Autor] (Florian Henckel von Donnersmarck, Germany / Italy) (0:59)

Now something is slowly changing (mint film office, Netherlands) (0:45)

2018

Adriana's Pact (Lissette Orozco, Chile) (0:42)

Angels Wear White (Vivian Qu, China) (0:35)

Azougue Nazaré (Tiago Melo, Brazil) (0:40)

Bitter Money (Wang Bing, China) (0:40)

Distant Constellation (Shevaun Mizrahi, Turkey / U.S.) (0:35)

Duck Butter (Miguel Arteta) (0:40)

Future Language: The Dimensions of Von LMO (Lori Felker) (0:30)

Manto (Nandita Das, India) (0:40)

The Old Man & The Gun (David Lowery) (0:27)

A Special Day (Homayoun Asadian, Iran) (0:33)

2017

Ana mon amour (Călin Peter Netzer, Romania / Germany / France) (0:40)

Boundaries [Pays] (Chloé Robichaud, Canada) (0:31)

Dawson City: Frozen Time (Bill Morrison) (0:45)

The Dragon Defense (Natalia Santa, Colombia) (0:47)

Embrace of the Serpent (Ciro Guerra, Colombia / Venezuela / Argentina) (0:32)

Finding Kim (Aaron Bear) (0:40)

First They KIlled My Father (Angelina Jolie, U.S. / Cambodia) (0:41)

I don't feel at home in this world anymore. (Macon Blair) (0:30)

Ingrid Goes West (Matt Spicer) (0:33)

Menashe (Joshua Z Weinstein) (0:39)

Miss Kiet's Children (Peter Lataster and Petra Lataster-Czisch, Netherlands) (1:00)

2016

The Apostate (Federico Veiroj, Spain / France / Uruguay) (0:20)

The Bad Batch (Ana Lily Amirpour)  (1:12)

Counting (Jem Cohen) (0:32)

*The Handmaiden (Park Chan-wook, South Korea) (1:15)

The Magnificent Seven (Antoine Fuqua) (0:45)

Noces (Stephan Streker, Belgium / France / Luxembourg / Pakistan) (0:43)

Shadow World (Johan Grimonprez, U.S. / Denmark / Belgium) (0:20)

Swiss Army Man (Dan Kwan and Daniel Scheinert) (0:51)

time/OUT OF JOINT (Caspar Stracke, U.S. / Germany) (0:22)

Window Horses: The Persian Poetic Epiphany of Rosie Ming (Ann Marie Fleming, Canada) (0:18)

2015

Blue Strait (Jon Jost) (0:45)

Fort Tilden (Sarah-Violet Bliss and Charles Rogers) (0:26)

Let's Kill Ward's Wife (Scott Foley) (0:28)

Northern Soul (Elaine Constantine, U.K.) (0:37)

The Pearl Button (Patricio Guzmán, Chile / France / Spain / Switzerland) (0:26)

2014

Afternoon Delight (Jill Soloway) (0:28)

[Bad] Neighbors (Nicholas Stoller) (0:30)

Calvary (John Michael McDonagh, Ireland / U.K.) (0:28)

The Disappearance of Eleanor Rigby: Them (Ned Benson) (1:08)

The Double (Richard Ayoade, U.K.) (0:20)

Enemy (Denis Villeneuve, Canada) (0:22)

Félix and Meira (Maxime Giroux, Canada) (0:35)

Genesis: Sum of the Parts (John Edginton, U.K.) (0:40)

Hellion (Kat Candler) (0:17)

A Long Way Down (Pascal Chaumeil, U.K. / Germany) (0:22)

A Million Ways to Die in the West (Seth MacFarlane) (0:23)

Run & Jump (Steph Green, Ireland) (0:22)

Le Week-End (Roger Michell, U.K. / France) (0:55)

2013

The Canyons (Paul Schrader) (0:35)

The Company You Keep (Robert Redford) (0:40)

The Dirties (Matt Johnson, Canada) (0:18)

Fruitvale Station (Ryan Coogler) (0:41)

Gimme The Loot (Adam Leon) (0:45)

Girl Most Likely (Robert Pulcini and Shari Springer Berman) (0:20)

A Glimpse Inside the Mind of Charles Swan III (Roman Coppola) (0:38)

The Great Gatsby (Baz Luhrmann, Australia / U.S.) (0:44)

Jug Face (Chad Crawford Kinkle) (0:32)

The Lifeguard (Liz W. Garcia) (0:45)

*Stories We Tell (Sarah Polley, Canada) (0:38)

Universal Soldier: Day of Reckoning (Peter Hyams) (0:45)

Warm Bodies (Jonathan Levine) (0:30)

Wrong (Quentin Dupieux, France) (0:32)

Zero Charisma (Katie Graham and Andrew Matthews) (0:33)

2012

As If We Were Catching a Cobra (Hala Alabdalla, Syria / France) [viewed w/ French subtitles]  (0:44)

Beauty (Oliver Hermanus, South Africa) (0:32)

Bullhead (Michael R. Roskam, Belgium) (1:10)

Headshot (Pen-Ek Ratanruang, Thailand) (1:05)

LOL (Lisa Azuelos) (0:52)

Marina Abramovic: The Artist Is Present (Matthew Akers) (0:51)

Nature Calls (Todd Rohal) (0:36)

Nuit #1 (Anne Émond, Canada)  (0:35)

*Our Life (La Nostra Vita) (Daniele Luchetti, Italy) (0:34)

Premium Rush (David Koepp) (0:53)

A Royal Affair (Nikolaj Arcel, Denmark) (0:33)

The Sheik and I (Caveh Zahedi, U.S. / United Arab Emirates) (0:36)

Thursday Through Sunday (Dominga Sotomayor, Chile / The Netherlands) (0:50)

Whores' Glory (Michael Glawogger, Germany / Austria) (0:32)

2011

Ajami (Scandar Copti and Yaron Shani, Israel / Germany)  (0:35)

The Cinema Hold-up (Iria Gómez Concheiro, Mexico) (0:32)

Don't Be Afraid (Montxo Armindaríz, Spain)  (0:22)

Free Men (Ismaël Ferroukhi, Algeria / France) (0:33)

The Guard (John Michael McDonagh, Ireland) (0:42)

Guilty of Romance (Sion Sono, Japan) (0:53)

Higher Ground (Vera Farmiga) (0:37)

*I Killed My Mother (Xavier Dolan, Canada)  (0:28)

The Iron Lady (Phyllida Lloyd, U.K.)  (0:22)

The Lottery (Madeleine Sackler) [v] (0:40)

My Week With Marilyn (Simon Curtis, U.K. / U.S.) (0:38)

Nénette (Nicolas Philibert, France) (0:33)

Red State (Kevin Smith) (0:28)

Self-Referential Traverse: Zeitgeist and Engagement (Sun Kim, South Korea) [v] (0:25)

Soul Kitchen (Fatih Akin, Germany)  (0:45)

Spring Fever (Lou Ye, China / France)  (0:40)

Sucker Punch (Zack Snyder) (0:26)

Tyrannosaur (Paddy Considine, U.K.) (0:47)

*Wuthering Heights (Andrea Arnold, U.K.)  (1:00)

2010

Freakonomics (Heidi Ewing / Alex Gibney / Seth Gordon / Rachel Grady / Eugene Jarecki / Morgan Spurlock) (0:38)

Inception (Christopher Nolan) (0:31)

Jean-Michel Basquiat: The Radiant Child (Tamra Davis)  (0:27)

Mamma Gógó (Fridrik Thor Fridriksson, Iceland) (0:23)

Motherhood (Katherine Dieckmann) (0:40)

Salt (Phillip Noyce) (0:24)

Shrek Forever After (Mike Mitchell) (0:14)

Soul of Sand (Sidharth Srinivasan, India) [v] (0:45)

Udaan (Vikramaditya Motwane, India) (0:32)

2009

Amreeka (Cherien Dabis, U.S. / Canada) (0:47)

Gigante (Adrián Beniez, Uruguay / Argentina / Germany / Spain) (0:46)

Julie & Julia (Nora Ephron) (0:40)

Max Manus (Espen Sandberg / Joachim Roenning, Norway / Denmark / Germany) (0:33)

Observe and Report (Jody Hill) (1:01)

Passing Strange (Spike Lee) [v] (0:20)

Uncertainty (Scott McGehee and David Siegel) (0:33)

2008

The Burrowers (JT Petty) (0:35)

Dioses (Josué Méndez, Peru / Argentina / France / Germany) (0:35)

The Memory of Angels (Luc Bourdon, Canada) [v] (0:24)

Teza (Haile Gerima, Ethiopia / Germany / France) (1:35)

Two Legged Horse (Samira Makhmalbaf, Iran) (1:15)

2007

The Bird Savior, Clouds and Wind (Istvan Szaladjak, Hungary) (0:33)

2006

Babel (Alejandro González Iñárritu, U.S. / Mexico) (1:32)

Dans les villes (Catherine Martin, Canada) (0:28)

*Daratt (Mahamet-Saleh Haroun, France / Belgium / Chad / Austria) (0:46)

Falkenberg Farewell (Jesper Ganslandt, Sweden / Denmark) (0:33)

A Guide to Recognizing Your Saints (Dito Montiel) (1:20)

*I Don't Want To Sleep Alone (Tsai Ming-liang, Taiwan / France / Austria) (0:23)

Lower City (Sérgio Machado, Brazil) (1:08)

Pride & Prejudice (Joe Wright, U.K.) (1:23)

Transylvania (Tony Gatlif, France) (0:35)

Zidane, a 21st Century Portrait (Douglas Gordon and Philippe Parreno, France / Iceland) (0:40)

2005

Bangkok Loco (Pornchai Honggrattanporn, Thailand) (0:18)

A Child Love Story (Ben Diogaye Beye, Senegal) (0:27)

Cold Showers (Douches froids) (Antony Cordier, France) (0:35)

Familia (Louise Archambault, Canada) (0:32)

Hank Williams First Nation (Aaron James Sorensen, Canada) (0:25)

Melinda and Melinda (Woody Allen) (0:30)

Thumbsucker (Mike Mills) (0:30)

Time Off (Paréntesis) (Francisca Schweitzer and Pablo Solís, Chile) (0:32)

2004

Carandiru (Hector Babenco, Brazil) (0:27)

A Day Without a Mexican (Sergio Arau, U.S. / Mexico / Spain) (0:22)

The Hunting of the President (Harry Thomason and Nickolas Perry) (0:25)

In America (Jim   Sheridan) (1:20)

Love Object (Robert Parigi) (0:22)

Shadows of Time (Florian Gallenberger, Germany) (0:17)

Spider Forest (Song Il-gon, South Korea) (1:06)

*Ydessa, The Bears, & etc . . . (Agnes Varda, France) [m] (0:25)

2003

Alexandra’s Project (Rolf de Heer, Australia) (0:32)

Dreamcatcher (Lawrence Kasdan) (0:58)

Eliana, Eliana (Riri Riza, Indonesia) (0:35)

Greendale (Bernard Shakey) (0:38)

2002

Between Strangers (Edoardo Ponti, Italy / Canada) (0:32)

Inch’Allah Sunday (Yamina Benguigui, France) (1:15)

Nine Queens (Fabián Bielinsky, Argentina) (1:14)

*Paradox Lake (Przemyslaw Reut, U.S. / Poland / Germany) (0:25)

Pilgrimage (G. R. Kannan, India) (0:46)

Sex and Lucía (Julio Medem, Spain) (0:58)

Swimming (Robert J. Siegel) (0:42)

Unfair Competition (Ettore Scola, Italy) (0:38)

The Weight of Water (Kathryn Bigelow) (0:28)

2001

The Beaver Trilogy (Trent Harris) [v] (1:05)

Jan Dara (Nonzee Nimibutr, Thailand / Hong Kong) (1:45)

Sex, Shame and Tears (Antonio Serrano, Mexico, 1999) (0:58)

Songcatcher (Maggie Greenwald) (0:17)

THE FLOOR IS YOURS.



Comments

Anonymous

I think both C'MON C'MON and THE LIGHTHOUSE are marvelous. But you were an hour into both, by which point both films are clearly What They Are, so I'm not sure what value a potential revisit could have. Also, it's funny that I rarely W/O films - I'm a tough old bird, if I can stick out KILLER KLOWNS FROM KANSAS ON KRACK I can stick out damn near anything - yet we have a W/O in common here. (THE GREEN KNIGHT, fuck that movie.)

Anonymous

Inception and The Handmaiden are the two I’d suggest that you should watch in full even though there’s little chance that finishing them would materially alter your low opinion. If you felt obligated with The Assistant…

msicism

I did finish THE HANDMAIDEN. And yes, I know one day I need a rematch with INCEPTION. There just always seems to be something better to do.

Anonymous

Pearl Button, for sure, I'd think. I saw Children of the Mist shortly after a terrible Oscar-nominated short on bride kidnapping. I felt it did a good job of exploring an unpalatable practice that was culturally "other", but avoiding many of the usual pitfalls. I also recently saw Zidane, and although I didn't find it to be a revelation, I'd be curious to know what prompted you to walk out. That said, like Welles/Hopper, it is progresses on expected lines after the hypothesis is set.

Anonymous

That makes three of us on THE GREEN KNIGHT! I remember getting impatient with DAWSON CITY and liking where it wound up, but the details are hazy. And if you get a chance to see it in 3-D, UNIVERSAL SOLDIER: DAY OF RECKONING is a pretty amazing haptic experience. Plenty of others I really like but are either intuitively not for you in my mind or are so self evident in their charms of lack thereof that further exposure wouldn't sway you. (ACCIDENTAL LUXURIANCE is what I'm referencing there, tho THE LIGHTHOUSE is obvious.) And despite being a huge NOSTALGIA FOR THE LIGHT, I struggled with THE PEARL BUTTON, down thread recommendation not withstanding.

Anonymous

I’d stump pretty hard for The Beaver Trilogy

Anonymous

DREAMCATCHER isn't exactly a good film, but it's so much more entertaining and unruly than Lawrence Kasdan's usual idea of a well-made film.

Anonymous

I have to admit Dreamcatcher is also the one that jumped out at me; it's just such a steady pileup of ridiculousness. It may help that I read enough King in my youth that it basically plays to me as a parody of his worst writing habits.

Anonymous

I quite liked THE DIRTIES, quirky and obnoxious characters, yes, but it did have quite a few surprises as it went along. Might not be a bad idea to try again now that Matt Johnson sort of “made it” I guess!

Anonymous

That's a lot of True/False selections. The one incredible CHILDREN OF THE MIST scene comes towards the end, and gave festgoers some good post-movie conversations about doc ethics. Been a while since I've watched THE DOUBLE but I think you bailed before the double arrived. APOLLO 10.5 and PETROV'S FLU do not improve in their second halves.

Anonymous

Was most surprised to see Whores' Glory here; if anything it's a good reminder that I've been meaning to revisit it myself...